ON-SET & PRE-SHOOT CONSULTING
Lighting, perspective, background, continuity. Shadows, focus, contrast. If these things aren’t consistent across all elements to be composited, the shot won’t work. Talk to me before you shoot and take me with you on the set and I’ll make sure they are.

COLOR
I can make your brown eyes blue, change morning to evening, match new shots to old or simulate a particular era.

COMPOSITING
Put a camel on the Moon. Draw a flowchart in the steam on a bathroom mirror. Put extra French fries on that plate.

PREPRESS
CMYK conversions that sing out loud instead of muttering about what might have been.

CUSTOM B&W
Image > Mode > Grayscale. Yuck. There are better ways and better results.
I can even replicate the response curves of traditional film stocks.